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Salam Aleik. Explaining: From my point of perspective, the huge rise of painters is the most threatening for the controllers of matrix. Both with the growing rise in frequencies, where painters are in my eyes the most effective carriers and in fact creators. but further it is that certain character of the creator as well as finite witness that this being is, i am the person who pose more threat by my mere presence. When with Reptilians oriented beings, or nearing a well segregated ego structure, they would attack me by all means. Yet the greater rise of Painters when it took place towards the end of the nineteen century, there followed harsh measures to shut and kill it. I see the massive murder of so many during the twentieth century combined with forcing that rise into a well designed market, e.g, the art market. So that’s how lowering of that immense spiritual rise took place..this is my perspective of the art in these times..that is very low and false and there are still very strong effect of the machine on the artists..so the occupy movement which means to free humanity..i am keeping my hopes in them especially if they become aware and knw who and what they are protecting us this time the masters are at the helm ~ Yousiff http://josephtany.com And evening fell, suddenly and shared in truth in this find for you And those online galleries and sharing, if only in terms What Sorry to burst  Pacific Praana Seascape House On Cliff
even It’s hard to write
What I see
Eventually Is
The artist relies on the environment
About Us
For “recognition”
for this is how
a Natural Stream
of evolution becomes
but It first starts mm
i Mean, when A true artist begins to act
in our immediate physical environment
the positive
and that which each of us
tower around usthem
that manifests the free flow
of beauty…
In any case, everywhere
even if sometimes rarely distinguishable
buut after familiarity and regocnitions…
Each one of us has created an
A=uras and a resonance n spheres
adto that Recognitions tenddo grrow
And with the arrt worrld
Buut they inherently fired and burnt us out! have you not knowticed
@here there are commercial systems
and the audience really. Weare
a bunch of yes men…
And their recognitions take
What promotions
Bestow on them they lie
Someday they had decided that we RR Merchandise-able
and That the buyers know best! Money Speaks !
(and that s also n operation in the supermarket)
And it recommended secret for us, they say
Each artist must internalize to succeeded
In short NEW WORLDS FOR THE ARTIST
Environment that supports us
For OUR PAINTING
Is the environment on which we
Can build really DEPEND
as rhese are THE WAY
And this HUMAN environment
ON THS We can understand
MORE AND BEtr
And that means getting personally
wth The people who r involved in our artist sphere
insist wth our immediate circles of recognitions
And Maybe they need us for Anything else?
so retire the imposed matrix !
Stretching BEFORE US s A Staircase
TOThe ”‘/new planet
And this Really pushes us ~
onto Sharing,
Sum;
Our development
Depends on or The root
The secret of what WeRR
Here todo iS
that we have much more
for everyone than painting
and we must rely and invest in our inhabited spheres
in this we have the matrix out-rooted
and our vast abilities manifest
thru the circles we wave and compound and wave
Can you agree ?
<) yos
OH SEVAN, I speak to you through humbleness and anger for those who think that this out-formation is not REAL. This is indeed REAL and i hope that everyone does heed to what he’s saying. If this site goes down due to lack of support, I and many others would be saddened by the loss. Only a few other brave souls have came to this planet to teach us TRUE HISTORY of the origin of the human race and that were not all from this star system. If you have any DOUBT in your mind, then please do more reading and research before wasting Sevan’s time. I I’m going to spread this message to my email blasts and will also tell my $$$ friends who can help keep this site “ALIVE”. read all
My main objective with this article at this moment and beyond is, to introduce the curious viewer to my work, and describe my main motives for creation. perhaps even more importantly to try explain the diversity and styles in my art with, trying to express by all means. I say to viewer; if we are to be on same page ~ one better capture the scene of visual art with my perspective, a perspective which includes major historical movements in the development of visual arts especially in modern era. for my participation in the broader scene, which is my choice, I grasp it from the early renaissance days in Italy, starting with Titian and through the entire Medici, then the Dutch alliances with Rembrandt especially. Then the Spanish Goya Velásquez and El Griego, add Gustave Courbet to understand how much i need to be courageous in my approach, into my work and in my relation to viewers. Then widen the scope and include in your picture the impressionists and later on the expressionists on all sides of them. My part is deep penetrating then, breaking apart to understand how to activate the inner sub/sup structure of each genre. integrating most major genres in their entirety so that the original and true motive behind manifest. In this overall and permissive and unifying approach There is freedom and excitement, in making man made art of perception and expression resonating and aligned with truth and beauty in the deepest way available. Say in other words; my message in itself then is well established in those earlier attempts of humanity to awaken. The diversity is created as im presenting evolved vibrational versions of renown approaches in each category of painting. I m stationed where previous movements and individuals did, yet i dared taking those expressions further. Taking further into deeper understanding, under higher conceptions all taking onto the line of ascension, my pictures may relate more to the light it self, rather than taking as tradition dictated to any specified and known style. The diversity on my creation then, invites the generosity of a multi channeled consciousness or a none discriminative attention. Keep in mind that im don’t take any existing style and am not trying to improve it neither to compete on this well and over competed arena. I am neither running from show to show and am rarely involved in promotion for my art. people buy a painting of Van Gogh for millions, (or enjoy the image elsewhere, and learn of it, and expand! ) and they read the story and the letters that were kept with his family with thrill and caring – everybody are making some profit but him; his story and life, all is becoming commercial. people will cry when they read when they see the movie, i cried when i saw his almond tree. i was 5 or 6 . .people will remember that Van Gogh life was hell for him but who cares when it come to buying and what can they do to change it now ?? so, buy and enjoy greatness and make great revenues from zero. the question is how it happened and what can be done other wise today ?
 Flowering-Almond-Tree-Van-Gogh And who made them those very appealing and beautiful art works? who gain of this beauty, and what the divine-appeal, used for eventually – to attract you into religions, so that you feel, spiritual ans secial..because it is for you, all this beauty.. How much more spiritual slavery do you need to see ? the role of the draconian playing over over but with the magicians, who is who shall we say. How many of us go visit those beautiful gardens.. and the churches and the many other beautiful works of painters and sculptors and grand brave architects? So who did they eventually serve with building the sixteenth chapel ? And what would they do now when they do not need the magicians any more. now they want a confined sense of world and with their size of creativity..the smallest. And so, absolutely shocked when the magicians started to form in groups in Paris and other Capitals of the World then, in the beginning of the 20th century, we were pushing rapidly towards global awakening that, the dark rulers of this planet had to stop it in all costs, and the rulers enjoy killing humans any time and all the time. When the artists broke away from the church there was no authority which accepted them but the Academy. ?The Academy then was humble, until curating became a major study and curators moved art where they understood. But the source difficulty still came from an higher head, the masters of matrix. Same who took over the church with forming the Vatican and forcing people into Christianity. the core of this is the same,the rulers who started the big wars in Europe in the 20th century, and those wars were provoked to stop humanity from Attaining Ascension..and it was in the spirit that you find with those artists who broke free- from the renaissance to the end of the 19 century, if you feel the shivering of the energy resonating from them, such was Vincent, you know it was a huge rising and it abruptly stopped with the wars, when all that marvelous promise was cut off. Except from a certain scientific research and development which the rulers keep monopolized and use against us. at this moment they are literally trying to kill everybody on the planet because the freedom is breaking out again. most of humanity are asleep especially in the west; the religious ones deeper and deper in their day dreams and wars in those places where the population snore louder, its in the countries of the destroyers, its like that good Bob Dylan sang ; “you must serve somebody” and the devil is everywhere, practicing with the human mind. article: yos joseph tany ~ |
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